
In production · Line 01
The Loyalty Band, gold
Yellow, white and rose, 500 pieces each per year. The warm end of the line.
Based in Los Angeles
A pierced band in five metals, drawn from the rings Bonapartists wore when loyalty was something you carried instead of something you showed.
See the piece
The story
After Napoleon fell, allegiance to him carried genuine consequence in France. His supporters stayed loyal anyway, and they built the proof into jewelry.
His portrait, or a smaller symbol representing him, was kept on the inside of the piece, against the skin and out of everyone else’s view. It was never made for anyone else to look at. What it carried was a symbol of loyalty belonging to the person wearing it, and he or she did not need to show it to a single soul for it to mean everything it meant.
Napoleon said he would return with the violets in spring, and the violet flower became the sign his supporters kept for him. Because open allegiance was dangerous, it served as their discreet symbol of loyalty, understood among themselves and unremarkable to everyone else. Carried rather than displayed, it stood for a promise held quietly, holding significance in its meaning rather than an external appearance.
Loyalty that has to announce itself isn't loyalty.
The Loyalty Line takes that definition and none of the iconography. No emperor, no eagle, no crown. What carries over is the shape of the idea: a band that is closed from a distance and open in the hand, so the piece only gives itself up to someone standing close enough to have earned it.
Line inspiration
Two things brought this line together. The first is a connection to the Bonaparte line in my own family, which led to my discovery of Napoleon's loyalty rings.
The second is closer to home. A small circle of friends has stood beside me through every chapter so far, without being asked and without ever needing it acknowledged. That is the form of loyalty this piece is built around, and the reason both of its marks face inward.
Tanner Hickson · Founder
Line 01
Kept, not shown
There is a version of loyalty that never asks for credit. The Loyalty Line is the object for it.
Every band is numbered, every year is capped, and both marks are engraved where only the wearer will find them.
Ask someone what the violet means. You will know immediately who you are talking to.
- A pierced band that reads as solid from across a room and opens into a lattice when someone gets close enough to look. Cut through the full wall, so the pattern is structure rather than surface.
Five metals, one form. What changes between them is weight, color, how the piece ages, and how many exist. The band width and profile are scaled to the wearer, so the design is made for men and women alike, and every piece is engraved inside with the violet flower, the year it was made, its number in that year's run, and its metal.
Shown in natural window light, size 10.
Production
A production line is a fixed design made in a capped annual run. Every piece is engraved with the year, its number in that year, and its metal, so a band reads 2026, 1/1000, 925 and there will never be another one. The design does not change between years. The count starts over.

In production · Line 01
Yellow, white and rose, 500 pieces each per year. The warm end of the line.

In production · Line 01
Sterling at 1,000 a year, platinum at 250. The diamond-set golds run to fifty of each metal in each cut. The stone-set platinum is shorter still: ten of each stone in each cut, thirty rings a year in all.
Line 02 and beyond
The next line is in CAD. Clients already on the list see it before it goes anywhere else.
1,000
2026, 1/1000, 925
500
2026, 1/500, 18k
500
2026, 1/500, 18k
500
2026, 1/500, 18k
250
2026, 1/250, PT950
50 per gold
2026, 1/50, 18k B
50 per gold
2026, 1/50, 18k D
10 per option
2026, 1/10, PT950 RB B
One of one
A commission is drawn for one person, modeled until it is right, produced once, and never repeated. The file is retired when the piece ships.
An hour, in person or on a call. What it is for, who wears it, what they already own and never take off.
Two or three directions on paper, then one carried into a CAD model you can turn and look through before anything is committed to metal.
Stones selected with you and certified where they grade. Produced in 18k or platinum by our US manufacturer, then finished and inspected.
Presented with the stone documentation and a written record of the commission. Sizing and care are covered for life.
The studio
Everything is designed and made in the United States. The CAD is modeled here with our team, revised until the geometry is right on screen and right in the hand, then produced by a high end American manufacturer we work with directly.
If a piece cannot survive somebody looking at it closely, it does not ship.
Redondo Beach · California
Pieces from a production line are not purchased directly. A request is sent, reviewed personally, and either approved or declined. Price is upon request: approved requests receive availability, the current run number, timing and price. Bespoke commissions begin the same way.
Requests for a production line are answered first. The design is already resolved, so little is asked of the calendar. A bespoke commission requires considerably more time, and is scheduled with greater restraint.
Appointments are required for bespoke pieces and are granted by availability, not held to a fixed timeline. Only a small number are taken each month, so that every client and every commission receives undivided attention. We will write when a place opens.
Held in Los Angeles, or by video where preferred.
Every request begins here
Inquiry received
Your request has been received and will be reviewed personally. If it is approved, the reply will come from Tanner directly, by personal email or a telephone call. It will not arrive from a company address, which is deliberate.